“Foxtrot 400” is a preset pack for Adobe that combines the effects of a warming filter with the color characteristics of Kodak Portra 400. The result is a style that’s absolutely gorgeous when used with autumnal coloring and skin tones. That said, “Foxtrot 400” is a kind, flattering style that works with many subjects (as long as you’re in the mood for warm, vintage goodness). 🦊

Early prototypes of “Foxtrot 400” brought Kodak Portra 400 to mind. Portra 400 is one of the most versatile and beautiful film stocks, which is no doubt why it’s still so widely used today. So, I looked at hundreds and hundreds of photos of Portra 400 and made pages of notes on the color characteristics. The end result is a style that looks - and more importantly feels - like Portra 400 while maintaining some unique characteristics.

No preset is truly one-size-fits-all, however. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Foxtrot 400” was designed for use in shady and filtered light conditions, but it works perfectly in full sun, too, just with a bit more contrast.

This filmic preset is featured in the “The Minolta MD W.Rokkor 28mm f/2 + The Fujifilm X-Pro3 @ Kokiwanee Nature Preserve” gallery.

Engineered from a Classic Chrome base and developed using X-Pro3 files, “Foxtrot 400” is compatible with any Fujifilm camera. Enhance your beloved Fuji photos with “Foxtrot 400.” 📷

“Foxtrot 400” is intended for use in Adobe Lightroom Classic, Adobe Lightroom, Adobe Lightroom Mobile, Adobe Photoshop, or anywhere else where Adobe Camera Raw is integrated. This means you can use the preset on desktop or mobile!

“Foxtrot 400” is sold as a pack with both an Adobe Preset and Adobe Profile included, so you can use whichever better suits your workflow.

Don’t forget: You plant a tree when you purchase this preset!🌲

Click here for directions on how to install.

“Creature” is a preset pack for Adobe with an interesting nature. Its duality lies in its semblance to a classic horror aesthetic with certain subjects while always being genuinely beautiful, perhaps even romantic.

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Creature” was designed for use in shade and overcast conditions, but it works perfectly in full sun, too, just with more contrast. “Creature” is relatively neutral in tone and gives your photos deep, arcane shadows and glowing highlights.

This filmic preset is featured in “The Minolta MD W.Rokkor 28mm f/2 + The Leica SL” gallery, alongside its color kin, “Nestor.”

“Creature” is compatible with all cameras, and is intended for use in Adobe Lightroom Classic, Adobe Lightroom, Adobe Lightroom Mobile, Adobe Photoshop, or anywhere else where Adobe Camera Raw is integrated.

“Creature” is sold as a pack with both an Adobe Preset and Adobe Profile included, so you can use whichever better suits your workflow.

You plant a tree when you purchase this preset!🌲

Click here for directions on how to install.

“Nestor” is a preset pack for Adobe that induces feelings of vintage warmth. It’s a fantastic preset for greenery in any season, as well as skin tones. Perfect for any adventure in our green world.🌿

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Nestor” was designed for use in shade and overcast conditions, but it works perfectly in full sun, too, just with more contrast. “Nestor” bathes your photos in a deep warmth, leaving arcane shadows and glowing highlights.

This filmic preset is featured in “The Minolta MD W.Rokkor 28mm f/2 + The Leica SL” gallery, alongside its monochrome kin, “Creature.”

“Nestor” is compatible with all cameras, and is intended for use in Adobe Lightroom Classic, Adobe Lightroom, Adobe Lightroom Mobile, Adobe Photoshop, or anywhere else where Adobe Camera Raw is integrated.

“Nestor” is sold as a pack with both an Adobe Preset and Adobe Profile included, so you can use whichever better suits your workflow.

You plant a tree when you purchase this preset!🌲

Click here for directions on how to install.

“Warden” makes photos look like an adventure from yesteryear, embodying what I think of the Safari Summicron-R 50mm f/2 II. “Warden” reinforces many of the principles of the color profile “Safari”, but with (very slightly) steeper brightness contrast.

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Warden” was designed for use in overcast light. In sun, the results have a higher contrast. In shade, lower. “Warden” gives your photos a warm and green tint with faded levels.

This cinematic preset is featured in “The Leica Summicron-R 50mm f/2 II (Safari) + The Fujifilm X-Pro3 (Dura Black)” gallery.

“Warden” is compatible with any camera, and is intended for use in Adobe Lightroom Classic, Adobe Lightroom, and/or Adobe Photoshop. It works with Lightroom Mobile, too!

“Warden” is sold as a pack with both a Preset and Profile included, so you can use whichever better suits your workflow.

Before purchasing, please be aware of the Terms of Use.

You plant a tree when you purchase this preset.

Click here for directions on how to install.

“Safari” embodies what I think of the Safari Summicron-R 50mm f/2 II. It’s noticeably warm, but sophisticated in its gradations. It makes photos look like they are from an adventure in yesteryear.

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Safari” was designed for use in overcast light. In sun, the results have a higher contrast. In shade, lower. “Safari” has soft colors that skew toward yellow and green, as well as faded levels that give your photos a more vintage look.

This cinematic preset is featured in “The Leica Summicron-R 50mm f/2 II (Safari) + The Fujifilm X-Pro3 (Dura Black)” gallery.

“Safari” is compatible with any camera, and is intended for use in Adobe Lightroom Classic, Adobe Lightroom, and/or Adobe Photoshop. It works with Lightroom Mobile, too!

“Safari” is sold as a pack with both a Preset and Profile included, so you can use whichever better suits your workflow.

Before purchasing, please be aware of the Terms of Use.

You plant a tree when you purchase this preset.

Click here for directions on how to install.

“Rust” reflects the warmth of Autumn’s rays while hinting at the cold darkness of the coming Winter months.

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Warden” was designed for use in shade, but its visual contrast is derived as much from color contrast as brightness, so it delivers satisfying results in full sun, too. “Rust” has a graded tint. Highlights and midtones are warm. Shadows are cool.

This cinematic preset is featured in the “Leica Summicron-R 50mm f/2 II + Leica SL @ Ouabache State Park” gallery.

“Rust” is compatible with any camera, and is intended for use in Adobe Lightroom Classic, Adobe Lightroom, and/or Adobe Photoshop. It works with Lightroom Mobile, too!

“Rust” is sold as a pack with both a Preset and Profile included, so you can use whichever better suits your workflow.

Before purchasing, please be aware of the Terms of Use.

You plant a tree when you purchase this preset.

Click here for directions on how to install.

“Sunstone” is a soft monochrome preset for a sunny day in nature.

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Sunstone” was designed for use in mixed light, with the highest contrast in sun and the lowest contrast in shade. It’s perfect as-is, but you can adjust contrast to taste, of course. “Sunstone” is fairly neutral in tone with a slight warming effect compared to pure monochrome.

This cinematic preset is featured in the “The Leica Summicron-R 50mm f/2 II + the Fujifilm X-Pro3 @ Dutro-Ernst Woods” gallery.

“Sunstone” was processed with Fujifilm X-Pro3 files in Capture One 22 and is intended for use with Fujifilm cameras. It can be used with other cameras - use ‘Film Extra Shadow’ curve - but the results will be slightly different.

Before purchasing, please be aware of the Terms of Use.

You plant a tree when you purchase this preset.

“Ernst” is a Capture One Style for Fujifilm cameras, based on the ‘Eterna’ film simulation. “Ernst” is inspired by consumer film of the 1990’s, albeit with a lot more latitude.

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Ernst” was designed for use in mixed light, with the highest contrast in sun and the lowest contrast in shade. It’s perfect as-is, but you can adjust contrast to taste, of course. “Ernst” increases color contrast in scenes with yellow and green while having a bit of a faded look.

This cinematic preset is featured in the “The Leica Summicron-R 50mm f/2 II + the Fujifilm X-Pro3 @ Dutro-Ernst Woods” gallery.

“Ernst” was processed with Fujifilm X-Pro3 files in Capture One 22. To use it, you just need a Fuji that has access to Eterna. This look could also be used with Classic Chrome, with (much) punchier results.

Before purchasing, please be aware of the Terms of Use.

You plant a tree when you purchase this preset.

“Element13” is a monochrome Capture One Style for Fujifilm cameras, based on the ‘PRO Neg. Hi’ film simulation. “Element13” is strong and industrial, featuring deep shadows and steep, smooth gradations.

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Element13” was designed for use in overcast light. In sun, the results have a higher contrast. In shade, lower. “Element13” is quite neutral in tone with just a pinch of warmth.

This cinematic preset is featured in the “The Leica Summicron-R 50mm f/2 II + The Leica SL (Typ 601)” gallery.

“Element13” was processed with Fujifilm X-T3 files in Capture One 22. Since this preset is based on ‘Pro Neg Hi’, it will work perfectly fine with any Fuji camera.

Before purchasing, please be aware of the Terms of Use.

You plant a tree when you purchase this preset.

“Olivine” is a Capture One Style for Fujifilm cameras, based on the ‘Classic Chrome’ film simulation. It’s industrial, punchy, and green. It’s “Olivine.”

No preset is one-size-fits-all. Each one works better in some scenes than others in regards to lighting and colors in the frame. “Olivine” was designed for use in overcast light. In sun, the results have a higher contrast. In shade, lower. “Olivine” carries a warm, green tint, so you can feel a bit like David Fincher.

This cinematic preset is featured in the “The Leica Summicron-R 50mm f/2 II + The Leica SL (Typ 601)” gallery.

“Olivine” was processed with Fujifilm X-T3 files in Capture One 22. To use it, all you need is a Fuji camera that has access to Classic Chrome (which is most Fujis at this point).

Before purchasing, please be aware of the Terms of Use.

You plant a tree when you purchase this preset.